这部(bù )电影的故事背景让人不(🏵)禁(🦎)回(👇)忆(yì )起《逃出绝命(mìng )镇》。一位黑(hēi )人男(🔼)性(🚳)（(🏙)杰(🦒)森(sēn )·米切尔饰）在周末的时候，因(🐑)为(💾)觉(♿)得周围只有白人朋友(yǒu )所以觉得十分(🦌)(fè(🚩)n )紧(🚥)张。当然，这部作品与乔(qiáo )丹·皮尔去(⛴)年(🚕)(niá(🌓)n )那部符合大众口味的《逃出绝命镇》不同(🐄)。智(🤴)利(🦌)导演塞巴(bā )斯蒂安·席尔(ěr )瓦是一(Ⓜ)个(✨)古(🗞)怪(♐)(guài )的人，他的电(diàn )影如《女仆》、《水晶仙(🍺)女(🦋)》、(🔰)《肮脏的婴(yīng )儿》都倾向于(yú )剑走偏锋，故(🕙)(gù(🆙) )事(🈵)开始会有点(diǎn )怪异，而之后则会变得(✂)更(🍱)加(🥥)怪异。这种风格(gé )对于《周末生(shēng )日游》意(🚎)味(😛)着(😐)(zhe )什么呢？还不(bú )知道。但我们(men )非常期(🍳)待(🦖)这(🐴)种不确定性，况且演员阵容中还(hái )有克(🙁)里(🗯)斯(🛌)托弗(fú )·阿伯特、迦(jiā )勒兰德里·(🎤)琼(🕎)(qió(✍)ng )斯(🥥),迈克尔·塞(sāi )拉和安·道德。 阿黛尔(⏭)和(🤰)她(🥢)的(de )母亲孔查生活(huó )在城郊的一个(gè )贫(🔚)民(🔖)窟(🌠)里。孔(kǒng )查的丈夫是个(gè )可恶的暴徒(🐛)，他(🗼)使(🚰)母女俩长期生活在暴力和(hé )虐待之中(⤴)。对(🚤)(duì(🌅) )此忍无可忍的(de )孔查决定不顾(gù )一切(🌨)风(🍸)险(🗽)，偷(tōu )走一大笔钱，并带着女儿阿黛尔逃(⛱)离(📐)。不(🍕)幸(xìng )的是，她们在(zài )出逃中被发现(xià(🐮)n )了(🗑)。在(🚜)追(👥)捕过(guò )程中，孔查却意外地驾车撞死(🍳)了(🔭)丈(🍰)夫……这(zhè )场逃离注定是(shì )一次冒险(🌙)，而(🏦)(é(🖲)r )母女俩竭尽全(quán )力，才能挣脱(tuō )一直(⛑)禁(🤘)锢(🐤)她们的牢笼。在这段跨越生命的寓(yù )言(👽)中(📻)，力(🦕)量、困难、爱的希(xī )望、机会和死(🆙)(sǐ(🖐) )亡(🏀)如影随形。 It's summertime in a hot and empty Buenos Aires. Marcela's world is shaken when her sister dies, leaving her completely out of sorts. Still grieving, she must deal with clearing out her flat. One of her daughter’s young friends, Nacho, appears on the scene, eager to help, a presence which leads to shared road trips and adventures. During these confusing days, people and conversations from another time will mingle, prompting questions, while the imminence of everyday life closes in on her. A young girl with a special gift struggles to overcome a mob boss' influence over her family in this dark Dust Bowl fantasy, inspired by Hans Christian Andersen's "The Little Mermaid." Nina is a mother a little bit crazy, Baptiste a son a little too wise. Angry since a long time they are found for the adventure of their lives. During a trip unlikely, funny and moving, they will catch up the lost time. 不管这导演嗑了什么很纯(⛅)的(🌸)，全(🥈)部都要给(gěi )你来一点！在(zài )澳洲这座(🤶)曾(😌)经(🎥)(jī(😪)ng )被称作「无主(zhǔ )之地」（Terra Nullius）的大陆(🍅)，历(🕙)史(⛽)以前所未见的观点(diǎn )重新诠释：当(dā(📜)ng )《疯(🎐)狂(🕕)麦斯》末日场景成为(wéi )难民拘留地，食(🔳)人(🦈)羊(💓)成为反殖民叛乱份子，《沙漠妖姬》与电视(🔙)剧(🌞)《请(🕚)(qǐng )喜欢我》有了(le )跨时空的酷儿(ér )对话(🏳)…(🐎)…(🚲)本片(piàn )以近似DJ取样混音之拼贴手法，打(🤣)开(🆙)了(🌆)虚构与(yǔ )史实间的神秘(mì )黑洞，大量(🥉)援(🐡)(yuá(🧥)n )引(🤤)电影名场景(jǐng )与历史典故，穿越时空(👞)与(🖋)各(❤)种语境，重写、改写、乱写，全面毁坏观(🏉)众(👸)(zhò(🛀)ng )的三观！这是(shì )一部政治复仇(chóu )预言(🎡)，杂(🌉)揉(🕷)讽刺喜剧、生态恐怖与公路电影(yǐng )类(🏑)型(🈳)，写(🦂)下澳(ào )洲国族神话从(cóng )未被纪录的(🤥)史(😪)(shǐ(🥔) )诗(🌬)篇章。