首页 / 《泰剧爱在空气中电视剧》

The Focusing Effect is a faux-documentary/horror film about three film students who make a doc about breakups, only to push one of their subjects too far.

清末民初，日本(běn )人(🖲)以荣亚矿业公(gōng )司(🤯)为(wéi )壳，瞄上了(🗺)(le )南灵镇(zhèn )的皇墓，试(❓)图盗(dào )取国(guó )宝，荣(🍱)亚矿业(🗽)的(de )负责(zé )人(🌎)藤川负(👭)责调查(chá )“镇(🐫)(zhèn )灵玺(🤘)”。一日(🧕)，收到线(😦)报，称南(🥋)(nán )灵(🥩)镇花(huā(🐤) )家少爷花易(💝)天在(zà(😃)i )最近(jìn )的一(🍬)次倒斗(🌦)中，掌握(wò )了(💗)国宝线(📦)索。藤(téng )川盯(🗾)(dīng )上了(📸)花易(🎮)天，而(é(🎟)r )此时，花易天一方面(🥈)要(yào )面对日本人的(📓)虎(hǔ )视眈(dān )眈，一方(🚠)面遭到(dào )了花(huā )家(🌖)分舵主王中鹤(hè )的反(fǎn )水，失去了(🚁)花家镇外六部势力(🎨)。内(nèi )忧(🍾)外(wài )患之下(⏭)，花易天(🐊)(tiān )以肥(féi )斗(😸)美差招(🈲)来了高(gāo )手(🙊)慕(mù )长(🚼)风助(⛹)自己一(🔨)臂(bì )之力。机(🐓)缘巧合(🤷)(hé )下爱上(shà(🔷)ng )了花易(📷)天青梅竹(zhú(🔨) )马的(de )未(🗓)婚妻唐婉云(🐃)的(de )慕长(🚒)(zhǎng )风(👉)与花易(⚫)天里应(yīng )外合(hé )，在(🍳)“花魁十年(nián )庆”时(shí(🌂) )清盘了王中鹤势(shì(🌮) )力。没想到逃走(zǒu )的(📋)王(wáng )中鹤绑架了唐婉(wǎn )云和(hé )花(🍦)易天极尽折磨(mó )，虽(🗣)(suī )然二人侥幸逃出(🕛)，但是花(🍷)易天身体(tǐ(🙅) )和精(jī(🚶)ng )神全都元气(🔑)大伤(shā(📖)ng )，一(yī(🤕) )蹶不振(🗨)。花易天(tiān )能(🐶)否(fǒu )重(🖊)新振作?又能(👏)否(fǒu )联(🛍)手慕长风终(🕑)结(jié )日(🦔)本人(rén )的阴(🛀)谋，守护(🗜)住(zhù(⛪) )属于(yú(🎅) )中国的镇灵宝?

藝(yì(📵) )術家(jiā )自古皆寂寞(👸)或許(xǔ )是境(jìng )界，人(😗)到中年萬(wàn )事憂則(🐢)(zé )是現實。在畫室(shì )洋洋灑灑呈現(⏮)自(zì )由雄(xióng )風的裸(💩)男畫作令(lìng )他一(yī(🕧) )舉成名(🈶)，在家面(miàn )對(🐨)前(qián )妻(🈂)懷着新歡骨(🐶)肉、與(🏸)女兒(🌬)相處尷(🤔)尬(gà )卻令(lì(📯)ng )他一籌(🐕)莫展。貝(bèi )蒙(😔)特(tè )的(📎)寂寞，在於如(😦)(rú )何在(💇)(zài )著名畫家(🏩)與單親(🈁)(qīn )爸(🈵)爸雙重(❣)身份、藝術創(chuàng )作(🚋)與家庭生活之(zhī )間(🔅)取(qǔ )得平衡。維羅（(💍)《電(diàn )影就在街角》，35 屆(😪)）找來合作多年的(de )編劇兼(jiān )美指(🕗)好友對號入(rù )座，還(🍕)原藝術家(jiā )有血(xuè(💵) )有肉的(⛵)矛盾本性(xì(♑)ng )，在(zài )出(🌄)世與入世的(🎵)兩(liǎng )難(🍣)外(wà(👭)i )，毋忘點(👡)點超現實的(💕)幽默。

Wolfgang.Amadeu.Mozart:

Seven snowboarders trek deep into the Cascade Mountains and become desperately lost as they are hunted by a school shooter.

巴(🧓)勒斯(sī )坦電(🕎)(diàn )視台(📄)攝製臥底肥(🚁)(féi )皂劇(🛡)(jù )，連以色列(🥐)婦孺(rú(🚒) )都晚(🧙)(wǎn )晚追(💐)看。編劇因(yīn )情節背(🔰)離革命而(ér )辭職，監(🌸)製的多口侄仔(zǎi )助(👮)理(lǐ )受命執筆，頻頻(🐸)(pín )借女(nǚ )角之口，向電視(shì )機前(qiá(⏸)n )的舊愛示好，以(yǐ )色(🙊)列檢(jiǎn )查站軍官則(🥜)企圖(tú(⚫) )恃權影響劇(🧓)情發(fā(🐦) )展，以便在追(💑)看的嬌(👏)(jiāo )妻(🍁)面(miàn )前(📟)自吹自擂。助(🐺)(zhù )理即(🔊)(jí )使槍抵腦(🔑)殼，都不(🎚)肯接(jiē )受軍(🚒)官要求(🥅)(qiú )的大(dà )團(🍿)圓結局(🐷)。抗爭(📄)(zhēng )，必(bì(🌬) )須繼續！影展新(xīn )秀(💲)蘇(sū )亞比巧妙調侃(🐷)以(yǐ )巴關係，他的喜(🤖)(xǐ )劇座右(yòu )銘是：(👘)要能大笑(xiào )，必(bì )須面對苦痛，並(bì(🥫)ng )與之(zhī )周旋。獲威尼(🏈)斯(sī )地平(píng )線單元(😿)最佳男(🧗)主(zhǔ )角獎。

西(👥)部荒野(🌳)，住着(zhe )麦克林(🥔)夫妇—(🐔)—伊(🤭)萨(sà )克(🍐)（阿什利·(😚)祖(zǔ )克(🚽)曼(màn ) Ashley Zukerman 饰）和(🥜)莉兹（(🐊)凯(kǎi )特琳(lí(🕋)n )·杰拉(⭕)德 Caitlin Gerard 饰）。这里(👤)条(tiáo )件(🧢)艰苦(💾)，环(huán )境(🐖)恶(è )劣，人烟(🥈)稀少，野(🎟)兽(shòu )横行。莫大的孤(👺)(gū )寂令(lìng )莉兹时常(📒)警惕地(dì )环视四周(🐫)，防备(bèi )一切可(kě )能的危险。某天(tiā(🎯)n )，哈(hā )普尔夫妇——(🔖)吉(jí )迪恩(ēn )（迪伦(🍼)·麦蒂(😸) Dylan McTee 饰(shì )）和(hé(🎢) )艾玛（(🔳)茱莉亚·古(👾)丹妮(nī(🚍) )·泰(⏮)勒斯 Julia Goldani Telles 饰(🕕)）搬(bān )到了(📕)麦克林(🔦)家附(fù )近，成(📉)为他们(🧖)的邻居(jū )。两(⏪)(liǎng )家人(🤯)很快就成了(🏮)(le )好朋(pé(⛴)ng )友，特(📕)别是莉(⛵)兹有了艾(à(🌽)i )玛这个(♌)好姐(jiě )妹，似乎心理(🐓)也正常(cháng )了许(xǔ )多(🦄)。

Juanita, a loud 35 year old mulata, returns to her homeland to spend Christmas with their loved ones along with 350,000 Dominicans living abroad. She does not come alone, she's accompanied by Mariano, a rough Spanish man much older than her, he's anxious to get to know this island where you can sow 365 days a year. Mariano has decided for the first time in his life to take a risk, he sells his share of the land in Burgo de Osma to a brother and helps Juanita pay for the mortgage of her house in Santo Domingo just when she was about to lose it to the bank. Upon arrival, Juanita confesses she has two children, Mariano confesses in return to have taken advantage of her illegal status in order to get her to stay with him. Amidst these confessions the avalanche of family and friends falls on them, among them is Jairo, the father of her children, a typical 30 year old street wise Dominican who looks at him with jealousy. What Juanita did not confess to Mariano is that she has allowed Jairo to stay at her house to help with the children. Juanita and Mariano, who while being in Spain clung to each other like two castaways to a raft, will try not to drown in Santo Domingo.

During the slavery period in Brazil, a sugar cane farm was the stage for the darkest kinds of horrors. Years later, the place's cruel past is still stained in its walls, even if unnoticed, until a series of strange events starts happening and death returns to the farm. The film is divided in five short horror stories.