主(zhǔ )人公李(🤶)(lǐ主(zhǔ )人公李(🤶)(lǐ )解拿自己(jǐ )的(🤪)传家龙(lóng )坠向女(🥟)友小朵求(qiú )婚，却(🍏)(què )被倒卖古玩的(💡)安森(sēn )盯上(☔)。几次(🦉)偷抢(🙋)(qiǎng )未果(🐛)后，安(🚈)森绑(🔁)架(jià )李(🗼)解女(🚂)(nǚ )友(🕳)，并(bìng )威(😱)胁李(👴)解(jiě )要交出(👒)龙(ló(🍦)ng )坠，李解智斗(✴)坏(huà(🧗)i )人抱得美人(💘)归。
UNDERNEATH is a collaborative piece featuring four emerging directors, creating five distinctly different cinematic pieces all bound together by common themes of madness and ancient cruelty - think V/H/S meets CREEPSHOW with a supernatural flare.
Tout va pour le mieux dans la vie sans histoires de Fanny... jusqu'au jour où(🖤) elle découvre que son fils chéri, Arthur, 9 ans, est le bouc émissaire de trois garçons de son école. Fanny ne laissera pas seul son fils face à ses petits bourreaux : elle va rendre à(⏲) ces sales gosses la monnaie de leur pièce. Coups fourrés et pièges de cours de récré, désormais ce sera "oeil pour oeil et dent pour dent".
Eela is an aspiring playback singer and single mother. She has given up all her dreams to raise her only son. But now her baby son 'Vivan' is all grown up and being a typical young millennial, doesn't want his mother's life to revolve around him. But being an over protective mother, Eela has other ideas and joins her son's college to spend more time with him. Unfortunately her plans backfire and she suffers a backlash from Vivan for invading his privacy. Will Helicopter Eela manage to salvage her relationship with Vivan and find her calling again?
Siblings torn apart by the hazards of life meet in Spain to settle the family's modest inheritance. Gustave, the mover, on the brink of bankruptcy, Jules the anarchistic activist, and Lou, the youngest, lost between her brothers, yearning for the unknown. Each one has a different outlook on life and their personal projects for this inheritance will reawaken family disagreements and phantoms of the past.
本(👊)(běn )故事讲述(shù )的(🧑)是上(shàng )世纪90年(niá(🌫)n )代末发生在陕西(🤩)关(guān )中农村的童年故(gù )事。在以(yǐ )成绩高低(🕔)作为评(píng )判学生(🉐)(shēng )好坏的环(huán )境(🍈)中，小(xiǎo )学生巴王(😆)超过在(zài )老(🏾)师与(🈲)(yǔ )家长的眼(🎭)中是(🤳)那种(❎)(zhǒng )不学(🤩)无术(🔼)的“渣(🐠)(zhā )滓”。得(🙋)(dé )不(✴)到家长(zhǎng )和(🎭)老师(💩)(shī )认同的(de )巴(🦖)王超(➰)过(guò )，将田野(🗽)(yě )里(🎙)一棵可以栖息(xī(🥛) )的大树变成了自(🏹)己的“好(hǎo )地方”，并(⛑)将所(suǒ )有“好玩(wá(🈹)n )”的东西(xī )都藏在(⛏)(zài )了那棵(kē )大树的上面。孩子(zǐ )的天性，让巴(🍴)王(wáng )超过与成(ché(🌇)ng )人世界充(chōng )满了(🦃)斗(dòu )争，直(zhí )到有(📺)一天(tiān )，他的(🙀)处(chù(🎌) )境因为前来(❌)支教(🍵)(jiāo )的(💘)粉提(tí(🖨) )老师(🏠)而改(🧗)变了！粉(🏟)(fěn )提(🎈)老师让他负(🚲)责(zé(🔈) )班级里的(de )图(🎳)书管(🏤)理(lǐ )员，同(tó(🍮)ng )时他(🥈)也(yě )与女老师(shī(🚱) )成了好朋(péng )友，他(🥫)的“好地(dì )方”也成(🗡)了女老师的“好(hǎ(💓)o )地方”。然而好(hǎo )景(🚓)不长，他在粉提(tí )老师面(miàn )前特殊(shū )的待遇(🔍)，又因为粉(fěn )提老(🐟)师的男朋友(yǒu )的(⚽)到来而(ér )改变了(🈵)……
巴勒(lè )斯坦(🚥)電(diàn )視台攝(🎆)製(zhì(🔱) )臥底(🌨)肥皂(zà(🐋)o )劇，連(🚴)以色(♋)列婦(fù(🕤) )孺都(🕣)晚(wǎn )晚追看(📴)。編劇(🚦)因情(qíng )節背(🔊)離革(🍬)命而辭(cí )職(🤪)，監製(😁)(zhì )的多口侄(zhí )仔(🌱)助理(lǐ )受命執(zhí(🤢) )筆，頻頻借女角之(🛏)(zhī )口，向電視機前(😐)(qián )的舊愛示好，以(🏁)色列檢查(chá )站軍官(guān )則企圖恃(shì )權影響劇(㊗)(jù )情發展，以便在(🌲)(zài )追看的(de )嬌妻面(🍟)前自吹自擂(lèi )。助(🏩)理即使槍抵(dǐ )腦(💥)殼，都(dōu )不肯(🎙)接受(🙄)(shòu )軍(🏕)官要(yà(🐠)o )求的(🤘)大(dà(😫) )團圓結(💝)局(jú(🥇) )。抗爭，必須繼(⬅)續！影(🎄)展(zhǎn )新秀蘇(🖇)亞比(⌛)巧妙調侃以(🏉)巴(bā(📄) )關係，他的喜劇(jù(😘) )座右銘是(shì )：要(🔊)能大(dà )笑，必(bì )須(🐑)面對(duì )苦痛，並與(🚴)之周旋(xuán )。獲威尼(🛌)斯地平(píng )線單元最佳男主角獎。详情
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