浩哥闹县衙
Becky
电视剧
2025/中国大陆
第31-61集完结
过河
李莉莉
电视剧
2025/中国大陆
第31-58集完结
《猫咪女孩》
海伦娜·约克,德鲁·塔弗,肯·马里诺,凯斯·沃克,梅丽莎·K,佩内洛普·罗斯朗,芬·奥尔格斯,吉普森·弗雷泽,凯西·塞雷尔,德里克·约翰逊,卢卡斯·盖奇,伍迪·傅,克瑞斯·莫瑞斯
电视剧
2025/中国大陆
第41-80集完结
前任攻略
格雷格·亨普希尔
电视剧
2025/中国大陆
第31-71集完结
《theidol美剧》
克里斯托弗·米洛尼,Danielle Moné Truitt,Ainsley Seiger,布兰特·安东尼洛,卡米拉·贝勒,Iván Amaro Bullón,布莱恩·多纳休,杰弗里·多诺万,瑞克·冈萨雷斯,格斯·哈尔珀,Alayna Hester,Marinko Radakovic
美剧
2025/印度
第6集
排列的拼音
佩德罗·帕斯卡,卡尔·韦瑟斯,吉安卡罗·埃斯波西托,凯缇·萨克霍夫,克里斯托弗·洛伊德,特穆拉·莫里森,温明娜,艾米·塞德丽丝,蒂莫西·奥利芬特,艾米莉·斯沃洛,奥米德·阿布塔西,李善亨,Truett Killian,Christine Galey,比尔·伯尔,Titus Wellive
港台剧
2025/中国香港
第6集
唐(táng )明,就像很(hěn )多屌丝故事里的男主(zhǔ )角一样(yàng ),从小到(dà(🔯)o )大遇到的异(yì )性都是女(nǚ )神级的,在(zài )经历了(le )一堆奇怪(guài )的事情后,唐明把人(rén )生的不幸归(guī )结于自己从小到大发(fā(⤴) )着的相(xiàng )同的梦,一次解梦的(de )经历中,卷入了一场(chǎng )警匪追(zhuī )逐事业,负责这次 逮(dǎi )捕案的(🔖)是(shì )女主角白古(gǔ )清,为(wéi )了彻查本案潜伏在牛(niú )氏集团的(de )目标嫌疑人(rén ),失业已久的唐(🈹)明前(qián )往牛市(shì )集团工作(zuò ),公交车站(zhàn )偶遇女神(shén )白古清,却(què )遭小人(rén )整蛊给女(nǚ )神留下坏印(yìn )象,人生(shēng )的拐角(👉)点,喜剧的相遇却触发了(le )悲惨的(de )前尘往事(shì ):唐明是唐(táng )三藏的转世,白骨精(jīng )正是白(bá(🥖)i )古清的前(qián )生,两人的(de )关系因堕(duò )落凡间的唐(táng )三藏而(ér )更加亲密,前世种下(xià )的缘分在(🗂)(zài )两人之间悄(qiāo )然开花。为对抗牛总(zǒng )的邪恶(è )势力,唐(táng )明和唐三藏(cáng )师徒开始(shǐ )策划周密的(de )营救工(gōng )作,最后(hòu ),究(🔛)竟是邪(xié )不能胜正(zhèng )?
瑞伊思(沙鲁克·汗 Shahrukh Khan 饰)自幼生活在(zài )颁布了禁(jìn )酒令的小城(👯)(chéng )之中,贫穷的生活令(lìng )他磨炼(liàn )出了聪慧(huì )过人的头脑(nǎo ),母亲的(de )所作所为亦(yì )让他小(🎁)(xiǎo )小年纪便(biàn )懂得了谋生(shēng )之道。为(wéi )了赚钱补贴(tiē )家用,瑞伊思找到了(le )当地的(de )酒类供应(yīng )商杰拉茨(阿图尔·库尔(㊗)卡尼 Atul Kulkarni 饰(shì )),就(jiù )此成为了(le )一名走私商(shāng )。
此片以(yǐ )在民间广为(wéi )流传的民国“鬼新娘”故事(💰)(shì )为背景,讲述了都市(shì )青年林青衣和梁晓光(guāng )感人至(zhì )深的爱情(qíng )故事。
明朝(cháo )中叶,皇(⛑)(huáng )帝怒查军粮(liáng )亏空,钦定为空(kōng )印案。三法(fǎ )司衙(俗(sú )称六扇门)奉命追查,以季同归(guī )为首的(de )捕头反被(bèi )陷害,无奈(nài )之际隐姓埋名继续追(zhuī )查。案(àn )件明朗,东厂提督与(yǔ )国相先后(hòu )叛乱,危难(nán )之际六(🍜)扇门联合锦衣卫挺身(shēn )而出。
Set in contemporary New York City, Cacaya is the story of a young Brazilian woman, who ends her tumultuous relationship with an American man, and then discovers she is carrying his child. The couple's struggle to interact during the pregnancy, and to deal with the situation, increases the tension between them. The film interweaves this modern narrative with indigenous Amazon rainforest folklore and ancient Greek mythology of the Amazons, using the framework of German dramatist Heinrich von Kleist's 1808 tragedy Penthesilea.
Ever since the death of her first dominant, William Frederick, Emma has struggled to adjust to life as a submissive without him. Unable to form lasting connections with other men, Emma chooses to abandon the lifestyle completely. But, her world is flipped upside down when she meets Mariah, a sassy young woman eager to explore the BDSM world. Seeing much of her former self in this young woman, Emma takes it upon herself to educate Mariah about life as a submissive and volunteers to act as her temporary dominant. However, things become complicated when Mariah grows attached to Emma and wants their arrangement to become a permanent one. Will Emma be able to walk away from the life she always loved and a girl who desperately needs her? Or is there more in the BDSM world for Emma than she ever fully realized?