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Taapmaan is a hard-hitting, dark action drama about an independent filmmaker whose only wish is to become the kind of filmmaker he wants to be. He has been struggling since quite long but still has nobody standing by his side. In addition to this, his not-so-successful career gets affected badly when an online critic, with whose opinion he had once disagreed, gets him framed for making a snuff film. When he's not provided justice, he gets shattered from within and proclaims openly to sacrifice his speech unless he gets justice. But in the age of digital media, isn't he just another guy who wants his work to be seen and appreciated? His battle intensifies when time passes by and lack of justice makes him brutal and extremely angry.

本片(piàn )撷取(qǔ )了发生在中国北(běi )方小城镇中一个中国(guó )青年出狱后的一段(duàn )人(rén )生经历，讲述(shù )了一(yī )个小人物在商品(pǐn )经济的大潮中与时代(dài )的隔离，以及(jí )人们(men )对(duì )金钱的崇尚(🎧)和(💡)(hé(🦄) )理(🙄)想(🍃)(xiǎ(🥩)ng )、(🔀)道(🌌)德(🥃)的流失，对社会与人性作出(🐻)(chū(💞) )了(🎣)(le )深(🔤)度(⏮)拷(📍)问(😈)。尤(🥏)(yó(📯)u )其(🌦)是(🔊)(shì(🥡) )本(😥)(bě(🏚)n )片(🕰)以(😅)中国农历(lì )冬季的四个节气作为(wéi )篇章，具有强烈的(de )中(zhōng )国文化符号视(shì )觉。

少年莊崇斌無法(fǎ )忍受同學的欺凌，決(jué )定跳樓結束受(shòu )欺凌(líng )的(de )生活，警察趙(zhào )順昌(chāng )及時出現，給了少年鼓勵和勇氣。

Identical twin brothers become hybrid A.I (artificial intelligence) entities, yet torn in different directions to achieve justice for humanity.

Taapmaan is a hard-hitting, dark action drama about an independent filmmaker whose only wish is to become the kind of filmmaker he wants to be. He has been struggling since quite long but still has nobody standing by his side. In addition to this, his not-so-successful career gets affected badly when an online critic, with whose opinion he had once disagreed, gets him framed for making a snuff film. When he's not provided justice, he gets shattered from within and proclaims openly to sacrifice his speech unless he gets justice. But in the age of digital media, isn't he just another guy who wants his work to be seen and appreciated? His battle intensifies when time passes by and lack of justice makes him brutal and extremely angry.

少(shǎo )年莊崇斌無(🦗)法(🕴)(fǎ(🌾) )忍(🔷)受(👒)(shò(😼)u )同(🏗)(tó(🏻)ng )學(🍦)的欺凌，決(jué )定跳樓結束受(🏆)欺(🛶)凌(🎟)的(👷)(de )生(🎎)活(🤺)，警(🍙)察(🔴)趙(🗜)順(🥊)昌(🧔)(chā(💀)ng )及(🔐)(jí(🎷) )時(🐁)出(🚬)現，給了少年(nián )鼓(gǔ )勵和勇氣。

Loosely following a traditional Passover Seder, events from the Book of Exodus are retold by Moses, Aharon, the Angel of Death, Jesus, and the director's own father. But there's another side to this story: that of the Goddess, humankind's original deity. Seder-Masochism resurrects the Great Mother in a tragic struggle against the forces of Patriarchy.

在(zài )社会主义道路上，中(zhōng )国公路的发展和人(rén )民(mín )命运紧密相连(lián )的。《大路朝天》以(yǐ )四川公路建设为切口(kǒu )，以成雅高速(sù )、雅(yǎ )西(xī )高速、雅康高(gāo )速建(jiàn )设为题材，通过(guò )讲述祖孙(📁)三(🛫)代(💪)路(🎐)桥(🦀)工(🦃)(gō(🥞)ng )人(🅰)伴随改革开(kāi )放40年(nián )经(jī(😁)ng )历(👛)的(💡)命(🎍)运(📑)和(🏳)情(🔻)(qí(🈂)ng )感(😤)故(🎊)事(🕕)，折(🍩)射(🍮)出(🏆)时(🥡)代(😔)(dài )发展与变迁。

Three terrifying tales to keep you awake all night: ‘Night of the Sea Monkey’, ‘Lamb Feed’ and ‘Homewrecked’ – a trifecta of 80s throwback terror with mauling monsters, home invasions gone haywire and stomach-turning human sacrifice.