An elderly woman, a war veteran, recalls her experiences as a member of the all-female bombing squad nicknamed 'Nachtexen' (Night Witches) during World War II
故事(🚓)(shì )讲述了助人为乐好(🗃)(hǎ(💝)o )青年(nián )祝瑞(ruì )在自(🌻)己(📻)的家庭并不(bú )富裕(🏛)的(🏦)(de )情(📎)况(kuàng )下坚持热心帮助(😻)他(tā )人，却得(dé )不到亲(🏚)人朋友的理(lǐ )解和支(🤞)(zhī(👨) )持，其妻子黄梅多次(🎽)劝(🌭)(quàn )说不(bú )下一(yī )气之(😐)下(🛸)离家出走，出门在(zài )外(👄)备(bèi )受折磨，幸亏巧遇(🐚)(yù(😱) )好心(xīn )人的(de )帮助，才(🔉)得(🐤)以解救，祝瑞(ruì )四处(📱)寻(🧑)找(💝)自己一直(zhí )深爱(ài )着(⛹)的(de )妻子(zǐ )，通过各种方(🤦)式(🔨)找遍大街(jiē )小巷，仍(🦔) 然(🤺)没有她(tā )的音(yīn ) 信(🌘)，此(♉)时(🐩)巧遇一直暗恋(liàn )他的(🎚)女(nǚ )同学(xué )张欣，张欣(⚓)对他表(biǎo )白爱(ài )意，此(📉)时(🉑)婚姻危机面临(lín )着(📻)考(🥌)验(yàn )，面(miàn )对自己沦陷(😭)到(🈁)如此(cǐ )处境(jìng )，祝(zhù )瑞(🛹)能否坚定信心继续帮(📻)助(❌)(zhù )他人(rén )呢，为什么(🥐)他(👆)得不(bú )到别(bié )人的(🛅)(de )理(🕠)解(🏙)，是他跟不上时代的(de )步(🎫)伐，还是人与人(rén )之间(❔)(jiā(🍉)n )缺少(shǎo )了最(zuì )初的(♎)诚(🐄)信，电影用动人的(de )故(👄)事(🦐)验证了人间自(zì )有正(zhè(🏖)ng )道在(zài )，人间自有大爱(😤)在(zài )，本片宣扬(yáng )社会(👂)正(🦏)能量，以风(fēng )趣幽(yō(📼)u )默(🤑)的(de )手法刻画人物形象(🏸)(xià(👯)ng )！
李天(tiān )洋和(hé )郑月两(🌯)位年轻“小(xiǎo )炮儿(ér )”在(⬆)(zà(🧡)i )执行神秘任务时失(〰)败(💺)，惹(rě )怒老(lǎo )大闫老(❌)板(➿)，开(🗃)始了(le )亡命(mìng )天涯(yá )的(🎏)故事。在找寻货物的过(📑)(guò(🤐) )程中，郑月偶遇发(fā(😑) )小(🉐)并(bìng )帮发(fā )小找(zhǎ(💋)o )回(🐠)了失踪多时的男朋友。同(🚥)时，郑月发现了(le )货物(wù(🚃) )的秘(mì )密并明白如果(😃)不(😏)逃(táo )离这个地方(fā(🌀)ng )就(☕)会丧失性命。屋(wū )漏偏(🚥)(piā(🎛)n )逢连(lián )夜雨，在郑月准(📆)备(bèi )离开的(de )时候(hòu )，兄(🏿)弟(⛎)和发小的被(bèi )闫老(🅰)(lǎ(🏷)o )板抓(zhuā )，郑月不得不(🍞)与(😿)闫(📖)老板正(zhèng )面冲(chōng )突，随(🏬)之而来的却(què )是越(yuè(🗜) )来(🛢)越(yuè )多的麻烦。
Varun and Bhanu, both from different worlds, face challenges in their relationship.
特工(🏌)尼(❣)科洛·华莱士（Troy N. Ashford 饰(🌑)）(📍)是一位为(wéi )政府(fǔ )工作(🚷)(zuò )的刺客，专门刺杀人(👥)尽皆(jiē )知，臭名昭著的(💳)恐(🔐)(kǒng )怖分(fèn )子。本已打(💺)算(📁)金盆吸收的尼科洛在(🛃)(zà(🖊)i )压力下决定执行最(zuì(🔮) )后一(yī )次，也是最致命(💀)的(🐕)一次(cì )刺杀行(háng )动(🔓)，杀(🍈)死残害他的家乡(xiā(🦗)ng )格(🌰)鲁(🎇)(lǔ )吉亚(yà )的疯子。当两(⬆)个联邦卧底(dǐ )被杀(shā(📺) )后，华莱士的师傅(fù )，李(👌)(lǐ(📙) )大师(shī )（弗雷德·(🏂)威(🔴)廉森 Fred Williamson 饰）和(hé )他的孪生(🥎)兄弟尼希米（Troy N. Ashford 饰）也(🚆)卷(juàn )入了纷争。尼科洛(♌)身(🍌)边的(de )人都卷入了这(🤰)场(🈶)致(zhì )命游(yóu )戏，这也将(🔴)揭(🚵)露他可怕的过去......
When a photographer encounters the practice of Vodou cartography while on assignment he becomes enchanted with the visceral artwork and ceremony witnessed. But the experience embeds itself in his psyche and his interest in vodou becomes more than an inspiration, more than a passion, more than an addiction. Through his own artwork, he creates his own destiny, a path to demonization. A complete transformation occurs physically, mentally and artistically and results in the conjuring of entities never imagined, exploring the world between the darkness and blackness.
